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Production:
Nick Sandys....... Direction LuAnn Adamson..... Assistant Direction & Stage Management Tamlyn Wright ....... Set Design Jane Goodman...... Costume Design Michael O'Brien...... Lighting Design Samuel J. Hatcher... Technical Direction |
Cast:
Alan Turing..... Jim Covault Sara Turing...... Jeanne Cairns Pat Green ........ Patrice Egleston Mick Ross ....... Bill Jenkins Dillwyn Knox..... Michael Muller Ron Miller......... Dwight Sandell John Smith...... John W. Potter Christopher Morcom/Nikos.... Michel Roland |
Reviews:
"Directed by Nicolas Sandys, Breaking The Code is an exceptionally on-the-mark production from Stage West and one of the theater's sharper efforts recently.... Mr. Sandys has cast very well and gotten some resourceful design work from Tamlyn Wright in her decidedly low-key but still coolly evocative set." Dallas Morning News
"Director Nicolas Sandys has surrounded Covault [as Turing] with a uniformly fine ensemble. ... The powerful scene in which he reveals to [his mother] his sexual orientation is wonderfully modulated. One sees director Sandys' sense of timing at work here." Fort Worth Star-Telegram
"[Artistic Director] Russell wisely has chosen actor-combat master Nicolas Sandys to direct, a good match of smart leadership to cerebral material." Dallas Observer
"Directed by Nicolas Sandys, Breaking The Code is an exceptionally on-the-mark production from Stage West and one of the theater's sharper efforts recently.... Mr. Sandys has cast very well and gotten some resourceful design work from Tamlyn Wright in her decidedly low-key but still coolly evocative set." Dallas Morning News
"Director Nicolas Sandys has surrounded Covault [as Turing] with a uniformly fine ensemble. ... The powerful scene in which he reveals to [his mother] his sexual orientation is wonderfully modulated. One sees director Sandys' sense of timing at work here." Fort Worth Star-Telegram
"[Artistic Director] Russell wisely has chosen actor-combat master Nicolas Sandys to direct, a good match of smart leadership to cerebral material." Dallas Observer